And it ain't all a talky-fest either Mantello and DP Bill Pope find lovely, brilliantly-lit visual pieces of storytelling to tie it all together, and Ned Martel's adaptation of Crowley's work expands certain elements out organically and welcomely. But the real pleasures of the film come simply from observing old friends find new ways to engage with each other, pick at each other's scars, and simply love each other. The inciting incident, ostensibly, is an old college "friend" of Jim Parsons', played with mysterious layers by Brian Hutchison, here to crash Parsons' party with some kind of secret he can no longer hold on to. As you'd want from a theatrical adaptation, the film (directed by theater stalwart Joe Mantello) locks into a relentlessly gripping groove once our exceptional ensemble cast (with special shoutouts to Robin de Jesús and Tuc Watkins) simply starts talking in the same room together. The Boys in the Bandis the best kind of film adaptation of a play (originally written by famed playwright Mart Crowley). But what this documentary makes abundantly clear is that she will never stop. Michelle’s strength, determination, and good humor feel like a guiding light in these dark times. In a particularly fraught time, when racial divides seem deeper than ever (also on fire and smoldering from tear gas), it felt like we had made true strides nominating a President that was so different from all the ones that came before him, with a First Lady that was unlike any we’d ever seen. You will cry, for sure, during some of her heartfelt stories but also because of how deeply you miss the Obamas in the White House. It also is a wonderful historical document, of the ways that the press ruthlessly tore her down (remember the fist bump interpreted as a “terrorist fist jab?” Even the New Yorker had an awful cover) and the ways that she stayed true to who she was and worked hard to better herself and her community. Nadia Hallgren’s beautifully shot documentary doesn’t go as deep as you might expect, but Obama is open and honest about her life and the life that she shared with Barack, including the frustration but ultimate fulfillment with putting her career aside to raise their children and eventually become the first lady. Jeff SneiderĬharting Michelle Obama, as she embarks on a star-studded, stadium-filling book tour, Becoming could have easily been a self-congratulatory victory lap, but instead offers something deeper and more uplifting – at a time when we need it the most. And like HBO's The Jinx, this is one confession that you'll never forget. Not only does it shine a light on the kind of tragedy that has become all too common, but it also offers a surprisingly emotional journey as it examines the true meaning of sociopathy. I don't want to say too much more because this is the kind of film that is best enjoyed knowing as little as possible, but American Murder truly is one of the best true crime entries I've seen in a while. The other eerie aspect of American Murder is that it is seemingly narrated from beyond the grave thanks to the sheer amount of communication from Shanann that was available, from deceptive Facebook videos to intimate text messages with her friends concerning elements of her marriage. It follows the 2018 murders of Shanann Watts and her two young daughters, as well as her unborn child, and what's remarkable about this heartbreaking film is the jaw-dropping footage that Popplewell got her hands on, as the investigation was documented almost immediately by Watts' friends. This chilling Netflix documentary from director Jenny Popplewell is one of the best movies I've seen all year.
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